Sunday, March 20, 2016

Hammond Castle Museum


Hammond Castle Museum 
The Hammond Castle Museum is located in Gloucester, Massachusetts. Hammond Castle was built from 1926-1929 by John Hays Hammond, Jr., an eccentric inventor known as the "Father of the Remote Control" for his discoveries relating to the remote control of radio waves which later when on to assist in the programming of car radios and cell phones. Hammond Castle served as his home and the site of Hammond Research Corporation, where Hammond worked. Hammond had the structure built for his wife Irene as a wedding present to "prove how much he cared for her" and also to house his large collection of Roman, Medieval and Renaissance artifacts. Thus, the Castle was designed with some of those influences in mind.

Early Hammond Radio Creation
The Hammond Castle Museum and its contents reflect Hammond himself: his work, his interests, his travels; his entire life encapsulated in his unique home. Even its location on the coast of the Atlantic lends itself to Hammond's legacy. Hammond had always intended for his home to be turned into a museum. He states, in a 1924 letter to his father:
"My ambition is to leave a modest, but beautiful, museum.…I want only an authentic atmosphere, some furniture, and genuine architectural pieces -- doors, windows, etc. In cold restrained New England, a place with the romantic beauty of the Italian and French past may prove the inspiration of many poor artists and students to come. It will give them something that I have been fortunate enough to know and enjoy. I also gives me satisfaction to think that I may be able to produce something of lasting worth." 
In his home, Hammond produced over 400 patents, and 800 ideas for inventions. He holds the second most number of patents, just after Thomas Edison. Hammond was an interesting character, and before settling in Gloucester to marry Irene Reynolds, he led a "playboy" life in Europe, gathering art, artifacts and ideas. Hammond was close friends with Isabella Stewart Gardner, and soon after the castle was completed he turned it into a museum to show off his collection of art, as Gardner did, in order to claim a tax exempt status on the property. Hammond liked to call it Abbadia Mare, Latin for Abbey by the Sea, because the Castle was akin to a medieval church.

Grounds 
Hammond, a mentee of Alexander Graham Bell, and close friend of Nikola Tesla, and performed many experiments with electromagnetic waves inside the Castle, including their involvement with ESP, with the help of a Faraday Cage, an inclosed cage designed to stop electric fields.

Great Hall Towers
The Great Hall
The 85ft towers house the pipes of a large organ created by Hammond. The organ, located in the Great Hall, served as the instrument used in several recordings by famous organists. Hammond enjoyed working on the organ in his spare time. It is currently in disrepair.

Indoor Courtyard
The Indoor Courtyard was designed to look like a "medieval village which had sprouted up around Roman ruins". The Courtyard is covered with a glass roof which allows the elements to be seen from inside. It was reportedly Greta Garbo's favorite area in the house.


As Hammond and his wife Irene were interested in the occult, the Castle is very pleased to have been featured on a recent episode of SyFy's Ghost Hunters, which can be found in parts on youtube.

Links:
Hammond Castle Website
Hammond Castle Museum
Hammond Castle on Ghost Hunters



**Photos by me unless linked to their source**

Christ Church (Old North Church)

Christ Church, better known as OldNorth Church, was originally built in 1723 as a colonial member of the Church of England. In accordance with Church of England protocol, the congregation’s first rector, Timothy Cutler (also president of Yale), traveled to and from London for his ordination. It is the oldest standing church in Boston. The church, a Georgian mimic of Sir Christopher Wren, is best known as the site of 1775 Paul Revere’s night ride, when Christ Church sexton Robert Newman hang two lanterns in the church steeple to signal that British forces were arriving by sea. Following the revolution, the church has become a national symbol. The revolution also brought a change in church leadership. Although Christ Church still remains a member of the Anglican Communion, it became a member of the Protest Episcopal Church of the United States following the war.
            Today, the site leads two lives – one as a secular historic site, and one as an active congregation and mission church. The Old North Foundation is a nonprofit organization that operates the space as a historic site along the freedom trail. Its mission statement reads, “The Old North Foundation promotes values of freedom, liberty, and civic engagement through the interpretation and preservation of the Old North Church, an enduring symbol of American independence. The Foundation serves a wide audience by creating meaningful experiences through educational outreach, site-specific programming, and historical analysis. The site supports this mission by providing regular guided tours on the half hour, self-guided tours, on-site or classroom programming for school groups, and a speaker series. This May will feature lectures on Colonial drinking and the building’s interior paint throughout the years. This second lecture, offered by Brian Powell, is part of the Boston Preservation Alliance’s ongoing study of the church’s interior. Visitors to the church may currently view shaded diagrams of the sanctuary throughout the years, and swatches of uncovered paint may be viewed on select portions of the otherwise white walls. The space also features a lantern ceremony every April 17th, commemorating Robert Newman’s lanterns. The ceremony will feature a speech by the governer, a drum and fife performance, representatives from the local militia, color guard, and USS Constitution, a reading of Longfellow’s Paul Revere’s Ride, a first-person Paul Revere reenactor, and ceremonial lantern hanging.

            Visitors to the site may also visit the adjacent columbarium (still actively accepting remains), historic gardens, Eden & Gill colonial printing office, Captain Jackson’s Historic Chocolate Shop, and the Old North gift shop (located in a former chapel built for the city’s Italian community). The Episcopal congregation of Christ Church maintains a separate identity from the Old North Foundation. The church’s historic status, however, continues its status as a mission church despite its growing, young congregation, and its rector is formally the bishop of the Diocese of Massachusetts.

The Edward Gorey House


The Edward Gorey House is a historic house museum dedicated to the life, work, and passions of American author, illustrator, playwright, set and costume designer: Edward Gorey. In 1979, Edward Gorey purchased the 200-year old sea captain’s home at 8 Strawberry Lane on the Yarmouth Port Common, Cape Cod, Massachusetts where he lived for fourteen years.[1] After his death in 2000, the house was purchased through a grant to become a museum (2002) celebrating and preserving his life and works. The house reflects the artist’s personality, with collected blue glass bottles lining the windows, hidden treasures throughout the display cases, and gravestones for his created characters on the lawn. The kitchen is exactly how he left it and his studio, nested in the attic, is restricted. Papers, letters, books, ticket stubs, found roadside objects, his long fur coat, and purchasable goods from the gift shop are just some of the enticing elements at this historic house museum. The Gorey House even features an A-Z scavenger hunt for museum go-ers, a child’s challenge I found difficult to complete because of the collection’s complexity. His artistry is eccentric and peculiar, featuring dark themes of “murder and mayhem, yet in the whimsical manner.”[2] The house reflects the traditional Cape Cod architecture and is significantly a community tribute to an artist passionate about the world he lives in. Giving to several charities on Cape Cod, along with others around the world, Edward Gorey was a great advocate of animal welfare; The Edward Gorey Trust continues to donate to various charities and organizations. The Edward Gorey House Museum is a cultural heritage site that hopes to educate and inspire its visitors by offering a unique, personal, and well-preserved introduction to the artist Edward Gorey.

Mission:
The Edward Gorey House celebrates and preserves the life and works of Edward Gorey, an American author, illustrator, playwright, set and costume designer. In honor of his legacy, The House, owned and lived in by Gorey himself, displays his diverse and extraordinary talents and reflects his distinct personality. The House also honors Gorey's passion and concern for animals, raising awareness about local and national animal welfare issues. As a dedicated commemoration to Gorey, the House strives to educate and inspire its visitors, offering a unique introduction to Edward Gorey, the artist and person.

The Edward Gorey House is indebted to the generosity of the Highland Street Foundation who purchased the House in 2002 and enabled the museum to be established. The Highland Street Foundation is committed to addressing the needs and concerns of families throughout Massachusetts and California in areas of education, housing, mentoring and the arts. They have contributed more than $135 Million dollars to many note-worthy non-profit organizations, among them, the Edward Gorey House. Visit www.highlandstreet.org for more info.




See more at: http://www.edwardgoreyhouse.org/about-gorey-house

https://www.youtube.com/watch?v=x-PKZb4YE2g
This video slideshow captures some visual aspects of the collection and the structure and landscape of the house, with a cool soundtrack.



[1] About the Gorey House. (2016). Retrieved March 20, 2016, from http://www.edwardgoreyhouse.org/about-gorey-house
[2] Duca, R. (2014, June 07). At the Edward Gorey House, a deeper look at the man behind the macabre - The Boston Globe. Retrieved from https://www.bostonglobe.com/lifestyle/travel/2014/06/07/edward-gorey-house-deeper-look-man-behind-macabre/nZLFOgCGv58Gj2iTZdotwO/story.html

Final Project Part 1: Old State House

Old State House (OSH):

The Old State House is one of the main staples of the Freedom Trail, and is a very popular tourist attraction. It is a Revolutionary War museum. The Old State House was erected in 1713, and served as the seat of the Massachusetts General Court until 1798. Prior to that, OSH The Bostonian Society formed in 1881 in order to save the Old State House from being demolished by the city of Boston. The building has undergone renovations due to a fire in 1747, and from building decay. The main renovations were enacted by George A. Clough in 1881-1882. The MBTA State Street station is under the building, and was constructed there in 1904.

The Bostonian Society’s mission statement is:
“The Bostonian Society is dedicated to studying, and preserving Boston’s uniquely important history, embodied in materials, records, and structures such as the Old State House, and in sharing an understanding of the revolutionary ideas born here.”


Many important historical events involving the American Revolution. happened in and around OSH. James Otis argued against the Writs of Assistance in 1761 in the Council Chamber. The biggest event involving OSH was the Boston Massacre on March 5th, 1770, which happened right in front of the building. The Declaration of Independence was read aloud from the balcony by Col. Thomas Crafts on July 18th, 1776. Every year, reenactments are done on or around the anniversaries to commemorate the Boston Massacre and the reading of the Declaration of Independence on the balcony. This year’s reenactment of the Boston Massacre coincided with the actual anniversary, which was very popular and fun. That day, there were also two reenactments of the trial against the British soldiers involved in the Boston Massacre.

The museum itself consists of three floors. The first main floor contains the museum gift shop, where I work, and a gallery. General admission to the museum is $10, with certain discounts available to students, seniors, kids, and military. Once one pays admission, they are given a “character card” which is something they have to wear during their journey through the museum. The “character” is a real person who was alive during the American Revolution, for example Paul Revere or Samuel Adams. A picture and description is provided, as well as indication for whether that person was a Loyalist or Patriot. On the back of the card are other facts about the individual, and their involvement in the American Revolution.
(John Hancock's Coat)


Once in the galleries, there are several informational exhibits and displays for a guest to look at.
The exhibits all give information of the events leading up to, during, and after the Revolutionary War, with a focus on the Old State House’s and Boston’s involvement. The main exhibit in the gallery is John Hancock’s coat, which you can see in the picture above. Throughout the gallery, the exhibits pose questions relating to the guest’s “character card”. Most of the questions ask the guest to think about how their “character” would feel about a certain event being explained in the display.

Once a guest is done with the small gallery, there are stairs that lead to the second floor. On the second floor there are three interactive rooms, “Hands on History”, designed for children. One room has a timeline on the wall, with bottles of different scents to commemorate certain events on the timeline, like a birthday cake smell to represent the date of OSH’s 300-year anniversary. There are also two rooms that have been set up to replicate what these rooms would have looked like back in the 1700’s. One is the Council Chamber, and the other is Representatives Hall. Both rooms have portraits, as well as some exhibits, like the Bull Wedding Gown.A guest can also go downstairs to the basement to use the restroom or see the timeline of the renovations done to the building.
(Council Chamber)



Included with admission is the opportunity to go on guided tours throughout the day. These “tours” are led by our Education Assistants. The “tours”, which are more like guided talks about topics, are done every half hour. The two offered during “off-season” are the Old State House tour and the Boston Massacre tour. The Old State House tour is a 25-minute talk about the history of the building, and all the changes it has gone through. The Boston Massacre tour gives the guest an overview of the Boston Massacre, and during the summer, the Education Assistants actually bring their tours outside to where the Boston Massacre actually occurred. Also during the summer, Revolutionary Characters Live is offered, which is a 25-minute talk with an actor who portrays a person from the American Revolution time period, like Sarah Hutchinson, the daughter of the MA governor Thomas Hutchinson.

Montana Memory Project

The Montana Memory Project (MMP) is a free online source for digital collections relating to Montana's cultural heritage. The project began in 2010 and is still functioning today with new collections being added. Many Montana libraries, museums, archives, and cultural institutions add materials to this collection. Below is the list of the current contributors:


The MMP collections include digital newspapers, maps, copies of photographs, rare books, historic documents, diaries, oral histories, audio and video clips, paintings, illustrations and art.

The mission of the MMP is: “The Montana Memory Project encourages cultural institutions to digitize historic and contemporary resources reflecting Montana's rich cultural heritage and to make them freely available for lifelong learning.” I feel the MMP is working positively towards this mission. On their website not only do they have digitized collections which in and of itself aids in making them available to the public but they have numerous educational resources for teachers to use in their classrooms, including powerpoint and class activity ideas. They also have a form where teachers who are using MMP can share how they are utilizing the materials and share that information with fellow educators. Besides educational resources they also provide instructional videos for how to perform searches within the site and also an interactive collection map to narrow down collections to specific locations in Montana. 

One of the interesting aspects to this collaboration project is that not only does it include cultural heritage institutions like libraries, museums, and archives but it also allows schools as well as individuals to become involved and contribute materials. They do recommend individuals gain some assistance from an institution to help them in the process.


Overall I would call this collaboration a success. The project is still actively growing and being utilized not only by Montana educators and students but are discoverable through WorldCat as well as made available through the Mountain West Digital Library and the Digital Public Library of America which provide a much broader exposure.

Final Project Part 1 - The Harriet Beecher Stowe Center


The Harriet Beecher Stowe Center is a historic house museum and National Historic Landmark located in Hartford, CT. Harriet Beecher Stowe is best known as the author of the novel, Uncle Tom's Cabin, though she also published more than 30 works during her lifetime (https://www.harrietbeecherstowecenter.org/hbs/). Uncle Tom's Cabin is famously known as the novel Abraham Lincoln once called "the book that started this great war" (the war, of course, being the US Civil War).
 The Stowe Center consists of three buildings: the Harriet Beecher Stowe House, the Katharine Seymour Day House, and the visitors center, which inhabits an 1873 carriage house also located on the property. The Stowe House was Stowe's second house in Hartford, and was where she spent the last 23 years of her life, and is also where she passed away in 1896. Following Stowe's death, the house and surrounding property were sold out of the family, and was acquired in 1924 by Katharine Seymour Day, Stowe's grandniece. Day is considered the founder of the Stowe Center, as she bequeathed the house and its surrounding property to a foundation dedicated to Stowe's legacy. The museum was first opened to the public in 1968.
(fun fact: The Harriet Beecher Stowe Center is located right next door to the Mark Twain House, and one going to visit either historical house museum can get a discount if they go to the other at the same day. It's pretty cool.)
Today, visitors to the Stowe Center are given an introduction and open discussion in the visitors center before going on a tour of the Stowe House that is less object oriented and more subject oriented, before going back to the visitors center for an end discussion. The Center also hosts salons for the public, where people can come in for an open discussion of different issues and topics related to the mission statement of the Stowe Center. The Stowe Center also hosts guests and events related to their mission statement.
Incidentally, this is the mission statement for the Harriet Beecher Stowe Center:

"The Harriet Beecher Stowe Center preserves and interprets Stowe's Hartford home and the Center's historic collections, promotes vibrant discussion of her life and work, and inspires commitment to social justice and positive change. Harriet Beecher Stowe inspires us to believe in our own ability to effect change. Her life demonstrates one person's ability to make a difference. Stowe changed public perception of a young nation's divisive issue, slavery, using her words to change the world. Her example is as important today as it was in her time...The Stowe Center's programs and activities are energized by Stowe's example. As a 21st-century museum and program center, the Stowe Center connects Stowe's issues to the contemporary face of race relations, class and gender issues, economic justice and education equity." (https://www.harrietbeecherstowecenter.org/about/index.shtml#mission)

Currently, the Harriet Beecher Stowe House is undergoing major renovations (the first since the house opened to the public in 1968) to install a fire suppression system, temperature controls, and do general cleaning of the house. Due to this, the house proper is closed to the public and will not be open again until late August of this year. Because of this, the Katharine Seymour Day house, which is normally not open to the public and serves as an administrative building for the center, has been opened for tours, with some of the objects from the main house having been moved over there. The tour still covers the same topics that would be covered in the main house.

(Harriet Beecher Stowe House)

(Katharine Seymour Day House)

Finally, in addition to the two houses and the visitors center, and the various public functions, the Stowe Center also preserves the house and center's collections of objects, manuscripts, and other assorted materials. The collection includes approximately 6,000 objects and over 200,000 manuscripts, books, photographs, letters, documents, and so on.

Final Project--Part I: Plimoth Plantation


Plimoth Plantation, located in Plymouth, Massachusetts,[1] is a living history museum dedicated to presenting the history, both shared and separate, of the English colonists and the Wampanoag natives during the earliest years of English colonial settlements in the 1620s; to this end, the museum uses costumed interpreters as guides throughout immersive environments such as the Wampanoag Homesite and the 17th Century English Village.  In the Village, the guides take on the roles of actual colonists who lived in Plymouth during that time period, and interact with Plantation guests in character, whereas the Native costumed guides at the Homesite (most of whom are from the Wampanoag Nation) do not take on a character per se, but interact directly with guests as themselves.  When combined with additional exhibits both traditional and interactive, the goal is to help connect modern-day visitors with the times, places, and people of the past in a way that truly makes history come alive.

The Plantation site contains several areas of interest that are linked by pathways through the grounds.  A tour begins at the Visitor Center, where you can watch a short orientation film and see a handful of exhibits (I saw reproductions of both Native and English clothing, pottery, carved wooden chests, a bow and arrows, guns, and the “Mooflower” fiberglass cow, complete with stockings and buckled shoes); there is also a café, a year-round movie theater showing first-run and independent films, and a large gift shop with sections devoted to children and Native goods. 

Next, you walk a short way down the path to the Wampanoag Homesite, which recreates a Native village during the spring, summer and early fall, when the people were busy hunting, fishing, and growing crops to tide them over the winter.  There will probably be several mat- and bark-covered houses called wetuash, in addition to lean-to where people will be engaged in cooking, tanning hides, making wampum, or burning and scraping a dugout canoe; in warmer weather, the women will be tending the corn, bean and squash crops as well.

The next stop along the path is the Craft Center; here you can see joiners, cabinetmakers, tailors, and potters create the reproduction household goods used in the Village, while Native artisans make tools, clay pots, headdresses, and other items for the Homesite.  There is also a smaller gift shop featuring some of the different items used on site

From there you can walk to the 17th Century English Village, which is a reproduction of some of the home, storehouses, animal pens, garden and fields, and other buildings which were in Plymouth during the 1620s.  The Village is surrounded by a wooden palisade, with a fort at one end that also serves as a community center where church services are held.  The cottages are all made of wattle and daub with thatched roofs made of reeds, and almost all of them have only one small room; in addition, the windows do not have glass, only sliding wooden shutters (although I think one house had greased paper over the windows), and the floors are made of trampled (and very uneven) earth.  (Clearly our ancestors were far tougher than we are!)  All of the homes have small gardens in which a variety of herbs and some vegetables were grown, with corn for the village being grown in the fields just outside the palisade.  Some of the homes also have animal pens and shelters, although there also appear to be larger grazing areas that may be for more communal use; there is also a village forge, a pair of common ovens (many of the houses only had an open fire, not an oven), and a woodcutting area.  

Finally, if you walk all the way back to the Visitor Center, nearby is Nye Barn, where some of the rare and heritage breed cows and goats are houses, in addition to the cattle, sheep, goats and chickens that are kept in the Village.

In addition to the Plantation, you can also visit the Plimoth Grist Mill (which we did, and which was interesting; I’ve now seen herring ladders for the first time) and the Mayflower II (which, unfortunately, is elsewhere being repaired right now, and I don’t know when it’ll be back), not to mention Plymouth Rock (not part of the Plimoth Plantation experience per se), but my main interest is in the Plantation itself—there’s certainly more than enough going on there to keep anyone occupied, and, in the words of their current slogan, “You can’t change history, but it could change you.”


[1] Spelling was not standardized in the 17th century, and “Plimoth” was the spelling commonly used at the time; it also helps distinguish the living history museum from the town of Plymouth itself.