Born Digital: Guidance for Donors, Dealers, and Archival
Repositories
Project Overview
The report Born Digital: Guidance for Donors, Dealers, and
Archival Repositories was published in 2013 and represents a long collaboration
among rare book and manuscript libraries in the United States and the United
Kingdom to develop recommendations for acquiring and transitioning born digital
materials into an archival repository.
The collaboration brought together ten archivists and curators from six
institutions: the Beinecke Rare Book and Manuscript Library at Yale University,
the Harry Ransom Center at the University of Texas Austin, the Manuscript,
Archives, and Rare Book Library at Emory University, the David M. Rubenstein
Rare Book & Manuscript Library at Duke University, the British Library, and
the Bodleian Library at Oxford University.
All of these professionals had experience working with digital materials
and were frustrated with the lack of training and preparation they received in
regards to born digital material. They
had concluded that archival repositories often collect born digital material as
an after thought, and that this can lead to inappropriate ingestion and
management of these materials.
The guide offers recommendations in four areas: the initial
collection overview, privacy and intellectual property, acquisition of born
digital material, and post-acquisition review.
Each section includes a list of recommendations for both donors and
dealers and for the repository staff.
The report is meant to be meaningful to both those that wish to give (or
sell) born digital materials and to those that are responsible for ingesting
them. In addition, several appendices in
the report offer suggestions for tasks for staff, checklists for donors and
staff, and suggested contingency plans for the unexpected. The recommendations largely focused on open
communication between donors, dealers, and repository staff to ensure there are
limited surprises in acquiring born digital material.
A digital archivist and an acquisitions specialist
represented each US institution, and one individual who was responsible for
both of these duties represented each of the two UK institutions. The project had no funding, and relied
predominantly on free software so that the participants could stay in contact,
including video conferencing and file-sharing software. The participants also met in person during
separately funded conferences.
The first draft of the report was completed in 2012, and was
reviewed by LIS professionals at MIT Libraries and the Gates Archive before
being published in 2013. The first draft
was published with MediaCommons Press, an online publisher that specializes in
open public review. The report was
posted and was open for readers to comment; this enabled the participants to
engage the public in the born digital conversation, and also allowed the report
to remain independent of any one institution.
After publishing with MediaCommons, the writers of the report also sought
a more traditional publishing solution and published with the Council on
Library Information Resources, a non-profit, independent organization that is
dedicated to fostering collaboration in the library profession. This outlet also allowed the report to be
seen by a wider audience, including publishers, scholars, students, and other
types of library professionals.
Success of the Project
In considering the success of this project, I researched
another similar collaborative effort: the AIMS (An Inter-Institutional Model
for Stewardship) project, funded by the Andrew W. Mellon Foundation and
published in 2012. The Born Digital
report references the AIMS Project as a related report in one of its
appendices. This project had
participants from The University of Virginia, Stanford University, University
of Hull, and Yale University. The final
product of this collaboration is a 181-page document with 9 appendices. It is geared more towards the LIS field and
offers very technical recommendations as well as specific workflows for each
task in the life cycle of born digital material. I think that the Born Digital report is much
more straightforward and accessible, most likely because it is meant to be read
by a wider population.
Both of these projects deal with born digital material, and
both cite the wide variety of digital collections and procedures as challenges
to developing standard recommendations.
The Born Digital project was an attempt to create an even playing field
among donors, dealers, and managers of born digital material, so that the
material can be acquired and managed safely for many years to come. The main challenge to this is how many
variables exist among born digital materials – from file size, to format, to
access restrictions that can alter data.
I think that this report succeeds in creating simple recommendations for
both sides of the transaction that could actually be helpful in practice. The recommendations are broad enough that
they account for almost any variation, but can also be tailored to a specific
situation. The appendices are also
extremely helpful in offering more specific advice.
A sign of success for this project would be its wide
acceptance in the library and archives community. I think that the choice of publisher for the
report, while admirable and wonderfully publicly accessible, could have been
detrimental this widespread acceptance.
I couldn’t find any mention of the report on the American Library
Association’s website or blog, and likewise for the Society of American
Archivists. While the participating
institutions publicized it, and many independent bloggers seem to have posted
about the report, nothing has come from the big names in the library and
archives world. On the University of North Texas Library website, usage statistics state that the report was only accessed from
their website 78 times since its publication.
While this is only a hint of the larger usage of the report, that number
is not very inspiring. So, exposure to
the report is fairly limited. Even
though the report is well written and extremely helpful, not many people seem
to know it exists.
Lessons Learned
This collaborative effort among archives in the US and the UK underlines how important born-digital materials are to the future of archival and manuscript collections. Professionals working with these materials on a daily basis realized that there was limited information on how best to manage these items. Archival and manuscript collections are sometimes seen as the last to get on the digital bandwagon, so I think that it is important for these professionals to prepare for all kinds of situations.
In addition, this investigation into a collaborative project has shown me
how funding is not necessarily required for the success of a project, but that
it definitely helps in getting the word out.
No matter how wonderful the project is, if no one knows about it, it’s
difficult to see any positive results.
Even without funding, however, a great resource can still be
produced. The Born Digital report proves
that the collaborative spirit is alive and well. In addition, this project depicts how
important networking can be in this field.
The participants of this report may have met at a conference, discussed
born digital material, got each other’s contact information, and two years of
hard work later, had a published report! Collaborating across the United States, much less across an ocean, is respectable. Collaboration is important in the cultural heritage field to ensure the fostering of new ideas and the advancement of the profession.
References:
AIMS Work Group (2013). AIMS Born-Digital Collections: An Inter-Institutional Model for Stewardship. Retrieved from http://www2.lib.virginia.edu/aims/whitepaper/AIMS_final.pdf
Redwine, G., Barnard, M., Donovan, K., Farr, E., Forstrom, M., Hansen, W., . . . Thomas, S. (2013, October). Born Digital: Guidance for Donors, Dealers, and Archival Repositories. Council on Library and Information Resources. Retrieved from http://www.clir.org/pubs/reports/pub159
The University of North Texas Library (2016, 16 February). Born Digital: Guidance for Donors, Dealers, and Archival Repositories. Retrieved from http://digital.library.unt.edu/ark:/67531/metadc234935/
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