In 2013, the Getty had the privilege of hosting Vermeer’s Lady in Blue, and the social media staff
there created an excellent way to bring the community together around the
painting. Said woman in blue is clutching a letter, and the Getty posted on their
social media prompts to get people thinking about what exactly was written in
this letter, in a well thought out attempt to get people to engage with the
piece, not just retweet a high quality digital photograph of it. Followers on
social media sent in what they thought the first line of the letter read, and
the responses ranged from the mundane to the eccentric, and were set anywhere
from the 1600’s into the future. The Getty’s creativity in interacting with
their digital community attracted the attention of socialmediatoday.com’s
Edward Boches, who praised the initiative of the museum in this
article. He includes several tips at the bottom, which I found extremely
helpful when I began my investigation of social media use.
·
Know your users and invent something they will
want to engage
·
Stop using social media as an ad medium
·
Integrate all of the platforms [i.e. blog,
twitter, facebook, don’t make them all mutually exclusive]
·
Make this kind of engagement part of your brand
behavior
·
Re-think your metrics
Throughout the article, he also pushed one point repeatedly –
we think we are being social by posting pictures and using clever lines, but we’re
not interacting with our communities. There needs to be a measure of deeper
conversation and discussion, and LAM institutions need to stop measuring their
social media success by ticket sales alone. Boches suggests that we take a look
at the media coverage of these outreach projects, and look at what is being
spread by word of mouth to gage just how successfully we’re interacting with
out broader communities, and making them a regular part of our institutions.
All of
that being said, I decided that I wanted to explore the social media use of the
Detroit Public Library system and the Currier Art Museum in Manchester, New
Hampshire to see if they employ any of Boches’ suggestions.
The
mission statement of the Detroit Public Library.
The Detroit Public Library
enhances the quality of life for the diverse and dynamic community in the City
of Detroit. The library enlightens and empowers its citizens to meet their
lifelong learning needs through open and equitable access to information,
technology, and cultural/educational programs. The Detroit Public Library
system will provide easy access to local and global information that will
assist all users in the development of a lifetime of enrichment and growth.
As the Library moves into the future, it will hold on to the
best of its services while meeting changing community needs. The community will
recognize the library as a vital force for expanding the mind, promoting
literacy, embracing diversity, creating opportunities for individual and
community development, and building a thriving city.
The Detroit Public Library system
uses the following social media platforms: Facebook, Twitter, Google+, and YouTube.
Every August for the last nine years, the DPL has held “ARISE Detroit!
Neighborhoods Day” featuring a bounce house, free books for children and adults,
Italian ice, and music. ARISE Detroit is a non-profit company whose mission is
to, “launch
a new wave of volunteerism for the many worthwhile
programs and activities that are struggling with the issues that trouble our
community – illiteracy, high school dropout rates, crime and youth violence,
drug abuse, domestic abuse, neighborhood blight and unemployment”. ARISE is an
acronym for Activating Resources and Inspiring Service and Empowerment. The DPL
advertises the Neighborhoods Day on Facebooks, Twitter, and YouTube. The DPL
also collaborates with Underground Resistance and Submerge Detroit to present
Crash Discourse, a series of lectures at the main branch of the library; the
lectures highlight the progressive musicians coming out of the motor city. The
goal of these talks is represented in Crash Discourse’s three word slogan –
Music. Culture. Conversation. To RSVP to these events is free through
Eventbright, and past artists include Detroit Techno Militia, Juan Atkins, and
Beretta Music. In 2014, Automation Alley held a 42-hour hackathon called Hack
DPL, with teams competing to build an app for the Detroit Public Library System
for a $5,000 prize. Two students won the prize, and the Detroit Public Library
now has a fully functioning app for smart phones and tablet devices, called “Detroit
Public Library Mobile” offered through Libstack.
The
YouTube page for the Detroit Public Library has only 33 videos, uploaded over
the last four years, documenting the Detroit Reads Flash Mob, the student mural
projects in the library, and a visit from the Smithsonian as part of the Save
Our African American Treasures tour. Videos also feature the Detroit Public
Library Choir. On March 19, 2015 the DPL celebrated 150 years in Detroit with a
black tie event that supported the Children Who Can Read Succeed initiative. In
January of 2016, the Detroit Tigers even popped by to give the library a
special number 150 jersey. In March 2016, the DPL held a Cat in a Hat themed birthday
party for Dr. Seuss. And, because mundane things like libraries and museums are
somehow much more interesting after hours, the DPL offers tours of the main library
at night. The DPL also partners with the organization Reading Works for their
Detroit Reads initiative, with the goal of eradicating the problem of
illiteracy in Detroit.
I
think that the DPL has an outstanding selection of social programs. Their
social media is unified in content, but not always word for word. They don’t
maintain a steady stream of updates and retweets, and why would they? Their
focus, and the goal of a huge number of their social media postings, is to help
their community with what they need. And recently, they haven’t needed Vermeer’s
Lady in Blue activities, they have
needed literacy programs, and days where you can go meet with an attorney for
free to talk about your child support case. They need a chance to go see Brad
Ausmus roll through the local branch of the library, and see a celebrated home
team give their time back to the community and through the library. I am
reminded so much of the library in Ferguson that remained open and gave refuge during
the protests and riots. The DPL is working to not only engage their community,
but to meet their needs, and to understand that on a very basic level, reading
will never be a priority until the most basic of needs are met, and they are
working towards becoming a safe communal space, where people can discuss racial
tensions and receive real feedback from New York Times bestselling authors, but
also from other people in the community.
The
Currier Art Museum in New Hampshire uses Facebook, Instagram, Twitter, and
Pinterest. The mission statement from their website [http://www.currier.org/about/]
is as follows.
The Currier Museum of Art is committed to providing stimulating, diverse and enjoyable encounters with original works of art and, in doing so, hopes to inspire the hearts, minds and imagination of its members and visitors. The museum provides the public with opportunities to learn about the past, appreciate and evaluate the present, and contemplate the future.
The Currier brings to its fundamental mission exceptional
holdings of art and architecture, primarily American and European. The Museum
is dedicated to high standards of exhibition, preservation, research,
interpretation and enhancement of this collection. Cultural and educational
programs of high quality and often national significance are offered.
The Currier is determined to serve all age groups and a
culturally varied audience from New Hampshire and the surrounding region. The
Museum aims to be a leader in developing innovative learning experiences that
increase people’s understanding, appreciation and enjoyment of the arts and
humanities. The Currier’s vitality depends upon its responsiveness to changes
in the arts and in society while maintaining a sound financial base on which to
expand its activities.
September 9, 1994
The mission statement has not been
updated since 1994, and thus has not revised the details on how to expand the ‘innovative
learning experiences’ to include social media and other vices of the digital
age. A large portion of their social
media postings are falling into what Boches calls ‘the ad medium’. They are exhaustively
advertising their exhibitions, with little attention to any other goings-on in
the community that they profess to serve. All that being said, they are
advertising the exhibitions well. They post reviews, interviews with the
archivist Meghan Petersen, and even posts about Shakespearian insults to foster
a broader interest in their First Folio exhibition. The museum also features
the Frank Lloyd-Wright designed Zimmerman House, which can be visited on guided
tours only for $20/person. Their Instagram account is filled with photos
catering to every kind of weather [It’s snowy in Manchester today, come
celebrate with snow-themed artwork at the Currier!], staff photos to other museums’
exhibitions, and art works of the day, including beautiful glass artwork. The
Museum holds Storytime in the Gallery once a month as one of their family
programs aimed at the youngsters, intended to engage them with an art-related
story, and then let them create their own artwork. The Art Center also holds
art camps for kids during the summer, winter, and spring breaks.
In
conjunction with their exhibit Killer
Heels: the Art of the High Heeled Shoe, the Currier teamed up with Webster
Elementary School for a shoe-drive to help provide children with the
appropriate footwear to combat the winter weather. The drive was organized by
Lynn Thomson, the manager of family and community engagement at the Museum,
however, I was only able to locate one Facebook post about the drive. The Art
Center also schedules four week Artworks! classes in schools for students who cannot
afford or are unable to take classes in the Art Center.
The
Currier periodically holds a free Alzheimer’s CafĂ©, where those suffering from
Alzheimer’s and dementia can come with their families and enjoy the artwork in
what the museum refers to as a ‘safe environment’. This is definitely a step
towards progress, but it could also been construed as singling out these individuals,
and assuming that they’re rendered incapable of appreciating and discussing art
in a general public setting. I am surprised that the Museum risked facing that
kind of criticism in order to hold the event, but it goes to show that they are
trying to reach portions of the population who are often left out during the
outreach process. Their Pinterest
page is absolutely fabulous. Their boards include Black and White Party Time,
Humankind’s Best Friend, Art-Inspired Food, Saints & Angels, and Body
Language. Some of them are from the Currier’s Online Collections, and others
are gathered from around the web to give new spice to categories or topics
people no don’t typically consider interesting.
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